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That fact tells us what we already knew: that these zodiacs were certainly not just decorations or pretty pictures. Nor were they attempts at astrology (predicting the future) or astronomy. The Ark, candelabrum, shofar, etc. were put in synagogues (and on tombstones, lintels, doorposts and catacombs), the most serious of places for the Jewish community. And the inscriptions on the zodiacs themselves were invariably in Hebrew, even if the common languages of the day, Aramaic or Greek were added. That is, the zodiacs were important and meant something to the people who made them. The question is: What? It is time to suggest some conclusions.
The evidence indicates that we are in the presence of a mystical Hellenistic-Byzantine Jewish tradition, a tradition that Talmudic Judaism either ignored or suppressed, a tradition we would not know anything about (for it left no literature) were it not for the discovery of this artwork, these symbols. The mosaics are in fact the literature of the movement. We need to learn how to read them.