Στο τρέχον τεύχος του Greek and Roman Musical Studies / In the current issue of Greek and Roman Musical Studies

 Greek and Roman Musical Studies 10/2 (2022)

• Stefan Hagel, "How Is Technology Useful in the Study of Ancient Music?" 269–289 
• David Roochnik, "Ancient Mousikē: Technē or Epistēmē? Music as Technē in Book 8 of Aristotle’s Politics," 290–305 (abstract)
• Timothy J. Moore, "Ancient Plays: Are They Musicals?" 306–326 (abstract)
• Timothy Power, "Are You Experienced? Recent Approaches to the Study of Music in Greek and Roman Religion,"  327–356 (abstract)
• Liana Lomiento, "Ancient Greek Metrics and Music: Is It Time for a New Dialogue?" 357–382 (abstract)
• Tosca A.C. Lynch, "Unlocking the Riddles of Classical Greek Melodies I: Dorian Keys to the Harmonic Revolution of the New Music and the Hellenistic Musical Documents," 383–415 
• Tosca A.C. Lynch, "Unlocking the Riddles of Classical Greek Melodies II: The Revolution of the New Music in the Ashmolean Papyri (DAGM 5–6) and Athenaeus’ Paean (DAGM 20)," 416–467

Στο τρέχον τεύχος του Greek and Roman Musical Studies / In the current issue of Greek and Roman Musical Studies

Greek and Roman Musical Studies 8/2 (2020)

• Angela Cinalli, "The Past Sets the Context for the Present:  Preserving the Legacy of Musical and Poetic Tradition in the Hellenistic Period," 230–253 (abstract)
• James Lloyd, "Composition, Comparison, and Concept: An Object-Based Framework for the Study of Ancient Music," 323–337 (abstract)

Στο τρέχον τεύχος του GRMS / In the current issue of GRMS

Greek and Roman Musical Studies 8:1 (2020)

• James Lloyd, "Music and Materiality: An Overview of Ancient Greek and Roman Music Archaeology," 1–10 (abstract)
• Karin Schlapbach, "The Dance of Priests, Matronae, and Philosophers: Aspects of Dance Culture in Rome and the Roman Empire," 190–199 (abstract)

Οι ήχοι του πολέμου / The sounds of war

Το τρέχον τεύχος του περιοδικού Greek and Roman Musical Studies είναι αφιερωμένο στους ήχους του πολέμου, όπως αποτυπώνονται στα κείμενα του αρχαίου κόσμου. Πολλά από αυτά παρουσιάζουν ενδιαφέρον για την κατανόηση ανάλογων περιγραφών σε βιβλία της Καινής Διαθήκης, με κύριο ανάμεσά τους εκείνο της Αποκάλυψης:

• Sean Gurd - John Franklin, "The Sounds of War: Introductory Remarks," 185–186 
• Bradley Hald, "Affective Soundscapes in Thucydidean Battle Narrative: Sphacteria and Epipolae," 187–212 (abstract)
• Spencer A. Klavan, "Martem Accendere Cantu: The Meaning of Music on the Battlefield (on Phld. Mus. 4.LXVIII.33-40, LXIX.7-12 Delattres = P.Herc. 1578/17 N, 1575/18 N)", 213–234 (abstract)
• Sarah Nooter, "The War-Trumpet and the Sound of Domination in Ancient Greek Thought," 235–249 (abstract)
• Andreas Kramarz, "Sounds of War: What Brought the Walls of Jericho Down?" 250–269 (abstract)
• Egert Pöhlmann, "Reading and Writing, Singing and Playing on Three Early Red-Figure Vases," 270-283 (abstract)
• Theodora A. Hadjimichael, "On Kinesias’ Musicopoetic Paranomia," 284–307 (abstract)
• Dietmar Najock, "Some Improvements for the Restored Hormasia Tables," 308–336 (abstract)
• Konstantine Panegyres, "Λελεγίζω: An Obscure Verb," 337–341 (abstract)